With Joan Rivers, Melissa Rivers, Kathy Griffin, Jocelyn Pickett

Idecided that this would make the perfect dramatic setting for adocumentary on circumcision.

Directed by Ellen Hovde, Albert Maysles, David Maysles

Thefilm honored the depth of people's emotions and conflicts, whileleaving no doubt that circumcision was a violent and sexually andemotionally disruptive thing."- Billy Ray Boyd"sober and penetrating documentary" - Ha'aretz (Israel)From the

Her documentary makes one small but very tellingconnection with routine infant circumcision.

James Baldwin Documentary I Am Not Your Negro Is ..

Led by Tabitha Jackson, the Documentary Film Program believes that art changes the way we reach people. We focus on those values of Art, Reach and Change through encouraging excellence and experimentation in form; championing under-represented voices; facilitating the strategic distribution of grantee projects where needed, and supporting the social and creative impact of this work upon release.

15/02/2018 · The Sundance Documentary Film Program supports non-fiction filmmakers worldwide in the production of cinematic documentaries on …

The Documentary Film Program has established a portfolio of innovative field-building creative partnerships and international collaborations that benefit the global documentary community. These strategic initiatives provide funding and networking opportunities for established filmmakers, and support and mentorship emerging international artists. Activities include, convenings, workshops, solicited requests for proposals and one-on-one meetings. Partnerships include:


The National Security Agency’s Domestic Spying …

Q: I am making a movie based on true events. Is my project eligible for funding?
A: Fiction films, even based on true events, are not eligible to apply. If your characters are actors, or are reading a script, it is probably not a documentary film (re-enacted segments are fine as a small portion of a larger documentary film).

'The Last Shaman': A Documentary by Raz Degan | HuffPost

Partners since 2010, the Sundance Institute Documentary Film Program | CNEX Workshop and Documentary Summit in Beijing has taken place in the spring in 2011 and 2012 and is projected for spring 2013. Each year, 10 invited Chinese documentary project teams from mainland China, Hong Kong, and Taiwan participate in the immersive multi-day workshop and summit. Designed by the DFP in collaboration with CNEX, the DFP invites international advisors offers workshops designed to nurture documentary storytelling and encourage the diverse exchange of ideas. Activities include one-on-one creative feedback meetings, pitch sessions, discussions with international advisors, presentations, panels, and productive discussions for larger audiences of artists, film professionals, broadcasters, educators, cultural leaders, and stakeholders. The subsequent Documentary Summit is a one-day, public schedule of panel discussions on topics of direct relevance to Chinese documentary filmmakers, such as crowd funding and international best practices. International advisors have included Robb Moss (Secrecy, Jean Tsien (Music from the HeartHollywood Chinese, Ruby Yang (The Blood of Yingzhou District), and Andrea Meditch (Buck). Each year, $25,000 in granting is available to participating projects. ()

Frontline piece - Thirteen WNET New York

Q: Do you have deadlines?
A: We have a Rolling Open. The move to a Rolling Open Call allows filmmakers to submit applications only when they can best demonstrate their artistic intent, rather than according to pre-determined deadlines. Sundance Institute reserves the right to solicit film projects at its sole discretion at any time related to Institute or Documentary Film Program priorities.

Documentary Film | Sundance Institute

Launched at the 2009 Sundance Film Festival as a partnership between the Sundance Institute Documentary Film Program and the UK-based BritDoc Foundation, Good Pitch brings together filmmakers with NGOs, foundations, philanthropists, brands, and media around leading social issues to forge coalitions and campaigns that are good for all these partners, good for the films, and good for society. To date, more than 90 documentary projects have been presented at Good Pitch events in London, Oxford, New York, Washington D.C., Toronto, San Francisco, and Johannesburg. In that time, more than 1,500 organizations have attended and over $3 million dollars raised in additional funding and resources for participating films. For more information on BritDoc and GoodPitch visit their