Events before the start of Hamlet set the stage for tragedy

Hamlet 1.1 in performance & on film | Shakespeare II
Photo provided by Flickr

Cast & Creative - The Lion King | International Tour

Jack Thorne writes for theatre, film, television and radio. His theatre credits include Hope and Let The Right One In, both directed by John Tiffany, Woyzeck at the Old Vic, Junkyard, a Headlong, Rose Theatre Kingston, Bristol Old Vic and Theatr Clwyd co-production, The Solid Life of Sugarwater for the Graeae Theatre Company and the National Theatre, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. On film his credits include War Book, A Long Way Down and The Scouting Book for Boys. For television his credits include National Treasure, The Last Panthers, Don’t Take My Baby, This Is England, The Fades, Glue and Cast-Offs. In 2017 he won a BAFTA and an RTS Television award for Best Mini-Series (National Treasure). He won 2016 BAFTAs for Best Mini-Series (This Is England ’90) and Best Single Drama (Don’t Take My Baby), and in 2012 won Best Series (The Fades) and Best Serial (This Is England ’88). This Christmas his adaptation of A CHRISTMAS CAROL will open at the Old Vic Theatre.

RELIGION/ADAPTATION: God and the Survival of the …
Photo provided by Pexels

Theatre 625: Doctor Knock (BBC, 1966) | SCREEN PLAYS

'The Double' Review: Double Your Bleak Dystopian Angst, Double Your Fun 'The Duff' Is the Best Teen Movie Since 'Mean Girls' 'The Equalizer' Review: You've Seen This Before, You'll See It Again 'The Fate of the Furious' Had a Perfect Potential Lesbian Reveal, And They Fucking Fluffed It 'The Fate of the Furious' Review: Shut Up, Drink Your Beer, and Enjoy the Ride 'The Fault in Our Stars' Review: And a New Generation of Future Hopeless Romantics Has Found Its 'Say Anything' 'The Fifth Wave' Review: Generic YA Dystopian Adaptation Number 435 'The Finest Hours' Is a Movie That Stars Chris Pine and Casey Affleck 'The Funniest Movie Since 'Neighbors'' Is What Every Comedy Will Be Marketed As for the Next Two Years 'The Gambler' Review: 'Wonder Boys' Goes Ass-to-Ass with 'Tin Cup' 'The Girl on the Train' Thinks It's 'Gone Girl,' Should Be 'The Boy Next Door,' Isn't As Good As Either 'The Giver' Review: The Dude Officially Abides Paycheck Roles 'The Grand Budapest Hotel' Review: Journey Into the Past 'The Greatest Showman' Review: Come for Zendaya, Stay for Keala Settle 'The Gunman' Review: A Smug, Misogynistic, and Idiotic 'Taken' 'The Hateful Eight' Review: Tarantino, Tarantino-ing 'The Hitman's Body Guard' Spoils Fun Marketing Campaign With Lame Low Blow 'The Hobbit: The Desolation of Smaug' Review: 'Pirates of the Caribbean' with Orcs 'The Hunger Games: Catching Fire' Review: President Snow Is Ready to Tell, the Deadly Twist that Is the Quarter Quell 'The Hunger Games: Mockingjay - Part 2' Is a Fitting End to Our Best YA Franchise 'The Identical' Opens On 2000 Screens This Weekend, Which is God's Way of Punishing Us 'The Imitation Game' Is a Damn Good Impression of a Great Movie 'The Immigrant' Review: The Most Beautiful, Heartbreaking American Story Since Fivel 'The Inbetweeners Movie' Provides an Often Amusing But Unsatisfying End to the TV Series 'The Interview' Review: Seth Rogen Has a Kevin Smith Problem 'The Intouchables' Review: Only an American Critic Could Find Racism Where None Exists 'The Jungle Book' Review: Outstanding, a Nearly Perfect Film for Kids or Adults 'The Killing Joke': An Extended Runtime Doesn't Always Equal More Value 'The Killing of a Sacred Deer' Review: Yorgos Lanthimos's Contemptuous, Vacuous Follow Up to 'The Lobster' 'The Last Five Years' Is the Most Painfully Honest Recent Love Story That Also Happens to Be Told Through Song 'The Last Jedi' Restored My Faith in 'Star Wars' 'The Late Bloomer' Review: DO NOT WATCH THIS MOVIE 'The Layover' Review: Or The Movie That Made Me Pine For The Sweet Release Of Death 'The Leisure Class' Review: Jason Mann's 'Project Greenlight' Film Sucks 'The Lobster' Review: Colin Farrell and Rachel Weisz's Dark, Twisted and Brilliant Dystopian Film 'The Loft' Review: A Fetid Trash Fire of Misogynistic Bullsh*t 'The Longest Ride' Review: The One That Broke Me 'The Man From UNCLE': Charismatic Actors, Incredibly Bad Script 'The Martian' Review: A Perfect Science Fiction Film 'The Meyerowitz Stories' Review: Noah Baumbach Gives Adam Sandler Another Shot at Legitimacy 'The Monuments Men' Review: Forced Perspective 'The Nice Guys' Review: Yes Yes, Bang Bang!

Disney THE LION KING | Cast & Creative
Photo provided by Flickr

This is Not Horror: Chernobyl Diaries Horton Hears a Who Host, The Hostage Hostel Hostel: Part II Hot Coffee Review | Tort Reform is a Sham Hot Fuzz Hot Off the Presses and Onto the Screen: Six Young Adult Novel Adaptations Soon to Hit the Big Screen Hot Rod Hot Tub Time Machine Review | A Dare to Be Unexceptional Situation Hotel Rwanda Hotel Transylvania Review: Adam Sandler Vants To Suck Your Brains Out Hotel for Dogs Review Hottest State, The Hounddog House Bunny House Review House of Flying Daggers House of Wax How 'Step Up All In' Compares to the Rest of the Modern Dance-Movie Subgenre How 'The Wolf of Wall Street' Is Basically the Same Movie as 'Spring Breakers' How Can a Film Featuring Lesbian Prostitutes Buying Pubic Wigs in a Cemetery Possibly Go Wrong?

Movie Reviews - The New York Times
Photo provided by Flickr