Photographs and Pictures from the Harlem Renaissance and Jazzy 1920's

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Learn about the music of the Harlem Renaissance!

After reading this influential book, many followers were inspired to become as physically and intellectually perfect as possible. Men such as Leonardo da Vinci and Leon Battista Alberti represented the perfect 'Renaissance man'. Both were multi-talented in a number of fields.

Jazz music became increasingly popular during this time, and many musicians in the black community influenced its progress.

Recorder Music Listening Page: Medieval, Renaissance, …

Phrase-by-phrase writing allowed for the development of polyphonic imitation (conversational echoing of music from voice to voice), word-painting (writing music to illustrate the meaning of each phrase of text), and the implementation of musical cadences (conclusive phrase/section endings analogous to punctuation/inflection in written/spoken language).

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By the turn of the century and for the next few decades, artists of all nationalities were searching for exciting and different modes of expression. Composers such as explored unusual and unorthodox harmonies and tonal schemes. French composer was fascinated by Eastern music and the whole-tone scale, and created a style of music named after the movement in French painting called Impressionism. Hungarian composer continued in the traditions of the still strong Nationalist movement and fused the music of Hungarian peasants with twentieth century forms. Avant-garde composers such as explored the manipulation of rhythms rather than the usual melodic/harmonic schemes. The tried-and-true genre of the symphony, albeit somewhat modified by this time, attracted such masters as and , while gave full rein to his manipulation of kaleidoscopic rhythms and instrumental colors throughout his extremely long and varied career.

Effects of the Harlem Renaissance on SocietyThe Jazz RevolutionJazz music evolved from hymns, work songs, and field hollers in the South.

Music History 102: The Renaissance

Music History 102: a Guide to Western Composers and their music
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The Internet Renaissance Band's Medieval Music - …

At this time the Austrian capital of Vienna became the musical center of Europe, and works of the period are often referred to as being in the Viennese style. Composers came from all over Europe to train in and around Vienna, and gradually they developed and formalized the standard musical forms that were to predominate European musical culture for the next several decades. A reform of the extravagance of Baroque opera was undertaken by . Johann Stamitz contributed greatly to the growth of the orchestra and developed the idea of the orchestral . The Classical period reached its majestic culmination with the masterful symphonies, sonatas, and string quartets by the three great composers of the Viennese school: , , and . During the same period, the first voice of the burgeoning Romantic musical ethic can be found in the music of Viennese composer .

Renaissance Music Archive | Illinois Musicology

As the many socio-political revolutions of the late eighteenth-century established new social orders and new ways of life and thought, so composers of the period broke new musical ground by adding a new emotional depth to the prevailing classical forms. Throughout the remainder of the nineteenth-century (from ca. 1820 to 1900), artists of all kinds became intent in expressing their subjective, personal emotions. "Romanticism" derives its name from the romances of medieval times -- long poems telling stories of heroes and chivalry, of distant lands and far away places, and often of unattainable love. The romantic artists are the first in history to give to themselves the name by which they are identified.

Forms of Music During the Renaissance Period | Synonym

From roughly 1750 to 1820, artists, architechts, and musicians moved away from the heavily ornamented styles of the Baroque and the , and instead embraced a clean, uncluttered style they thought reminiscent of Classical Greece. The newly established aristocracies were replacing monarchs and the church as patrons of the arts, and were demanding an impersonal, but tuneful and elegant music. Dances such as the minuet and the gavotte were provided in the forms of entertaining serenades and divertimenti.